A piece of string tried to go nightclubbing. "Sorry, no string allowed here," said the bouncer.
A bit later, a strangely thin person with a big knarly head and a wild hairdo turned up.
"Hey, I'm sure that you're that piece of string I turned away before," said the bouncer.
"Oh no, I'm a frayed knot", said the string.
Notes on life, art, photography and technology, by a Danish dropout bohemian.
Tuesday, March 25, 2014
Neil Campbell Ross art
I am a fan of Neil Campbell Ross.
Here is some of his art which led to the wonderful CGI film Hotel Transylvania.
(Almost forgot: click for big pic.)
I have long had a strong affinity for art with flat fields, and Neil does it better than anybody I can immediately think of. (Bill Sienkiewicz sometimes went in that direction, but not fully.)
I wish I had these in really big size, like 3MP+.
Here is some of his art which led to the wonderful CGI film Hotel Transylvania.
(Almost forgot: click for big pic.)
I wish I had these in really big size, like 3MP+.
Sunday, March 23, 2014
Sigh, comixxxxx (updated)
But warning: I've been reading comix for 45 years, and this is the most graphically violent one I've ever seen. It makes Frank Miller's Hard Boiled look like a Disney comic.
---
Like I guess I've said, I can't really figure out... until some years ago, I bought comix every week. Loved the stuff. So now and then, now digitally, I try again. I log in with Comixology app, I buy a couple things that seem interesting, and I read around a bit... and it just doesn't hold my interest. Odd.
It's not that I haven't given it the good ol' college try (whatever that is), I just looked at my purchased list, and I've bought 69 series just by fishing a bit like that. That's not 69 issues, that is sixty-nine series! (Often only a couple issues per series, okay.)
How things add up when you don't have a growing physical stack of unread comic books to remind you. Like I used to have on my bedstand for a long while. Then I realized I wasn't reading them, and moved them to the top drawer. Later I realized I still wasn't reading them, and moved them to the closet.
Maybe it's cause the good for-adults authors are not there anymore, like Neil Gaiman and Alan Moore? That would seem like a good bet, but I don't get very far re-reading my old favorites either. Guess I've changed.
| Awsome Simon Bisley cover to the weird and wonderful Grant Morrison Doom Patrol. |
Saturday, March 22, 2014
"They mostly come at night. Mostly."
I just watched Aliens (1986).
Some think it is, like often, inferior to the first one, Alien. But I thought it was actually a good movie (I hadn't seen it since the eighties). Expectations might lead one astray, though, because they are very different movies. Alien was an avant-garde SF Horror movie. Abstract and slow. The second one was a thriller, action SF movie. And it pretty much had to be, because unlike the first one, the monster was now known, there was no way to milk the unknownness-terror and slow reveal like there was in Alien.
Sigourney did an excellent job, as always. And so did Carrie Henn as young "Newt". It seems Carrie had no intentions of continuing making movies, and has kept that, she's a teacher in California.
Update:
Bron said:
Aliens was the rare case of the sequel being more fun than the original. Alien was terrifying.
Indeed. Geiger's monster really is excessively scary. I read some actor complaining that some people said it was *too* scary. "It's art, he said, how can it be 'too strong'". :-)
Despite this, I don't think it will ever be a "classic monster" in the sense of those old Universal critters. Maybe because there is nothing humanoid about it, maybe we have to relate in *some* way to a monster in order to be really invested. And Alien is basically just an excessively dangerous animal. While it's clever, you never get the impression that it's capable of thinking, really.
... Hehe, it's even a bit stupid, because like all movie monsters, it does the timeless "scary pose"... it stops for several seconds and poses impressively in order for the victims (and the camera) to get a good look and a chance to flee. This can't be optimal monster behavior!
Some think it is, like often, inferior to the first one, Alien. But I thought it was actually a good movie (I hadn't seen it since the eighties). Expectations might lead one astray, though, because they are very different movies. Alien was an avant-garde SF Horror movie. Abstract and slow. The second one was a thriller, action SF movie. And it pretty much had to be, because unlike the first one, the monster was now known, there was no way to milk the unknownness-terror and slow reveal like there was in Alien.
Sigourney did an excellent job, as always. And so did Carrie Henn as young "Newt". It seems Carrie had no intentions of continuing making movies, and has kept that, she's a teacher in California.
Update:
Bron said:
Aliens was the rare case of the sequel being more fun than the original. Alien was terrifying.
Indeed. Geiger's monster really is excessively scary. I read some actor complaining that some people said it was *too* scary. "It's art, he said, how can it be 'too strong'". :-)
Despite this, I don't think it will ever be a "classic monster" in the sense of those old Universal critters. Maybe because there is nothing humanoid about it, maybe we have to relate in *some* way to a monster in order to be really invested. And Alien is basically just an excessively dangerous animal. While it's clever, you never get the impression that it's capable of thinking, really.
... Hehe, it's even a bit stupid, because like all movie monsters, it does the timeless "scary pose"... it stops for several seconds and poses impressively in order for the victims (and the camera) to get a good look and a chance to flee. This can't be optimal monster behavior!
Friday, March 21, 2014
Lord of the Ring
TCGal sent us this cool street acrobatics video.
(I wonder how many times he's mashed his fingers.)
Monday, March 17, 2014
Extremities fetish
I've noticed that whenever I look up an actress in Google Images, one of the selectable popular searches shown is her name plus the word "feet"... I guess one specific fetish either has grown or has just been revealed!
Sunday, March 16, 2014
Kim's winter song
I like her music, but even if she was tone-deaf, I'd still be butter, exposed to those eyes and smile.
Thursday, March 13, 2014
Tuesday, March 11, 2014
Supergeek question: why do computers age?
Adam Engst, founder of tech newsletter TidBITS, has said that he believes computers become slower with age, a process which can't be reversed with a reinstall or such, in other words, the hardware changes.
Last week I fished out two laptops, both like 5-7 years old. (They've been keept snug and dry.) And they both sort of didn't work. There was just odd things going on, like they refused to connect to the networks though they could see them, or the external DVD drive did not work with them. It just felt like machines on the brink of death. You know how you can sense that sometimes? When I was young, I once sold a used bike. I had been pretty much used. Everything worked on it, but just the whole feel of the bike said to me it was working on it's last breath. And true enough, shortly after the sale, it just broke down all over, and never was used again. (I think I later offered him his money back, but I'll try and make sure.)
Now, back to computers, I can understand a battery getting old or dying, because it is chemical in nature. But the other parts in a computer, why would they get old? (It seems to apply more if the machine is not used.) They are plastic, metal, and silicone. Not, so far as I know, materials which deteriorate quickly, outside of damp or extreme temperatures. So...
For me emotionally, computers should be like Charles Babbage said of his mechanical computer the Difference Engine: "It does not make errors. Either it works or it doesn't at all." There should be no odd grey-area or weird on-and-off malfunctioning. But there is. I guess they are just so complex that this stuff "develops" somehow.
Any ideas?
The unkillable skinny ideal
It is striking to me how, despite a lot of campaigning against it, the omnipresence of super-thin fashion models is still king in the world, seemingly invulnerable.
They claim it's because it is easier to make clothes "hang" well on thin models, and perhaps it is, but there must be more to it, because it seems to me it's a minority of people who really like that kind of thin, and most of them work in the fashion industry.
It is like it is an idea, a self-destuctive idea from our collective subconscious, which has attached itself like a leach.
For instance, this one, from an ad on my Kindle Fire, she's probably envied by many women, but she strikes me as more... Scary, than anything else, yea?
By the way, in the wonderful and funny collaboration between Neil Gaiman and Terry Pratchett, Good Omens, they present it as one of the more effective ideas which the main demon has introduced in the world. He has created a line of food producs ("Mealz" or something), which is addictive but contains no nutrients whatsoever. And a newer line which is the same plus suger and fat, you bloat up while starving to death.
A fan walks up the demon (in human form) and thanks him heart-feltly for his products, they have changed her life, she says. He describes her as skeletal and estimates with satisfaction that she has about two months to live.
I think the lesson is not so much to blame or attack the fashion industry or the food industry or anybody else, but to realize that we have deep destructive impulses, including self-destructive, and recognize them and see the for what they are. This all takes time and work, perhaps even therapy for some, but I think it's the only way to really change things.
They claim it's because it is easier to make clothes "hang" well on thin models, and perhaps it is, but there must be more to it, because it seems to me it's a minority of people who really like that kind of thin, and most of them work in the fashion industry.
It is like it is an idea, a self-destuctive idea from our collective subconscious, which has attached itself like a leach.
For instance, this one, from an ad on my Kindle Fire, she's probably envied by many women, but she strikes me as more... Scary, than anything else, yea?
A fan walks up the demon (in human form) and thanks him heart-feltly for his products, they have changed her life, she says. He describes her as skeletal and estimates with satisfaction that she has about two months to live.
I think the lesson is not so much to blame or attack the fashion industry or the food industry or anybody else, but to realize that we have deep destructive impulses, including self-destructive, and recognize them and see the for what they are. This all takes time and work, perhaps even therapy for some, but I think it's the only way to really change things.
Odd LinkedIn recoms
I've had a couple of odd, reality-disconnected recommendations on LinkedIn. The latest one says:
"Eolake is a very honest, likeable, scholar of early Greek literature as well as webmaster for list server which focuses on Meher Baba and his work."
I've no clue who Baba is, and I haven't read much early Greek literature since school.
I wonder what this new phenomenon is? Maybe a new kind of spam. Fake profiles building up good reputation just based on those who respond to the kind thought rather than to whether it really applies?
"Eolake is a very honest, likeable, scholar of early Greek literature as well as webmaster for list server which focuses on Meher Baba and his work."
I've no clue who Baba is, and I haven't read much early Greek literature since school.
I wonder what this new phenomenon is? Maybe a new kind of spam. Fake profiles building up good reputation just based on those who respond to the kind thought rather than to whether it really applies?
Sunday, March 09, 2014
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