Titles. Clubs.

A friend wrote to me that he liked the latest photo (red leaves) better than he liked the title.

How can you make titles for art anyway? It always messes it up. If it's not relevant, it's not helpful. If it is relevant, it's often too restrictive, and does not allow people to make their own interpretation, which is essential to good art.

Last year I was in a photo club for a few months. One of the reasons I stopped was that a judge in a contest didn't like the picture below... because of the title! I had called it Union Jack. And he said that a title must be a "users manual" to a picture. He said the title has to tell the viewer what the picture is about. Which is just so much nonsense. If there is a short way of telling people what a work of art is about, why make it in the first place?

Of course such a petty reason was not the main reason I stopped going to the club. I was just bored. There was no debate about this title thing, just as there was no debate about anything. People did not talk about pictures. Back when I was a teenager in Denmark, I was extremely fortunate to belong to one of the best photo clubs in that country, Næstved Photo Club. It had interesting pictures, and it had interesting debates. I learned tons.

Aviator has arrived

I just received my Aviator keyboard.
It's quite possible to touch-type on it, though the modifier keys are obviously smaller and different shapes, and there are bigger spaces between them, so it will take a little getting used to. But not all that much, I think, and it feels solid.



ttl said...
What's that futuristically shaped thing behind the pinup calendar?

eolake said...
The subwoofer of my Harman Soundsticks II speakers.

Audrey and her car

Here is Audrey Hepburn again, in How To Steal A Million. What a gorgeous and unusual spectacle she presents. Excellent costuming.

Not to mention that car. I just love it.
Anybody know what it is?




alex said...
Autobianchi
Apparently they were, in the mid 60's , a FIAT division. So it was an Italian car.
I found the answer on the IMDb page for the film, someone else had asked the question.

Where do you see that? I don't see it.
There's also the car below. It's claimed in the film it will run 150MPH. Its road grip is awful, but it's certainly pretty.
... Ah, found something... it's a Jaguar XK-E, apparently.

Blonde bird dancing

Blonde bird dancing. Thanks to Timo.

15 Storeys High

I warmly recommend 15 Storeys High.

One thing, admittedly, irritates me about it: it is all filmed with wide angle in wide shots, and with only available light, mostly in small apartments. Which means that 90% of the time you only have the foggiest notion of what the characters actually look like. I'm not kidding.

But on the other hand it's brilliantly written and acted. It's actually unlike any other comedy I've seen. And very funny indeed, I often laughed out loud, very loud.

TechNomad

My friend Steve Roberts, the "TechNomad". He is a pioneer in equipping small boats with customized high tech gear.

"My intent, in a nutshell, is to conjure a self-sufficient nautical escape pod that has the capability of supporting full-time global voyaging..."

Do also check out Steve's "Microship".

Autumn, dusk, rain

Autumn, dusk, rain.


Once again I owe much to the high sensitivity and the image stabilization of modern digital cameras, the light was very low indeed, almost night.
I have emulated the darkness in the image with a little manipulation. The camera of course tends to make all pictures neutral no matter the light level.

Dayu said:
amazing to think one has the technology today to capture a visual of a streamlet (a droplet streaming?) of rain falling...

eolake said...
Interestingly, though, I only saw the drops on the lamp post after the fact. It was getting dark very rapidly, so I was working very fast, and I was really photographing the tree with the red house behind it. (The dusk light was very red at the point.) It was only the last images I took that I thought to focus on the post instead of the tree, and I finally judged that to be the superior image.
Below is an earlier version. You'll see that in the top image I zoomed in closer also. And I dampened some of the brigher parts of the background in the computer.


I don't think I would have gotten to the final version at all if I'd been shooting film. Even if I could have gotten myself to use that much film that rapidly, it is still a matter of running out of film every 36 pictures, and then having to get it developed and scanned.

Whigfield

Another Danish artist: Whigfield.
She was the first non-UK artist ever to place at number 1 on UK music charts.

It's a funny thing: like a contemporary song, Barbie Girl, Saturday Night is as "plastic pop" as music comes, but I still really like it (both of them). I have not listened to radio since I was a kid, but back in 1994 (good grief how time flies) a store was playing Saturday Night as I passed, and it grabbed me immediately, and I still really like it.

It is one of life's great mysteries to me: what is it about one song (or painting or whatever) that makes it so different from other ones that it just grabs people?

Gold and holograms

This must be the epitome of good taste: a coin pendant which has a hologram and is gold-plated!

My goodness, listen to the sales patter... the speed, the enthusiasm, the intensity... "...this is an heirloom..." I wonder, do these people really believe this stuff? Or are they that good at faking it? I am not sure which option is more amazing.

Marie-Anne

I don't often post nudes here, I have Domai for that. But I think this one is pretty much discreet enough to be all-audience, and I love the other pictorial aspects of it: the background, the hair, the light, and the wonderfully intense facial expression.
[Model: Marie-Anne, photo: Philippe Carly]

Symbols

A photo of mine. A little "abstractized" by limiting the number of colors in the file.
Apart from that, the photo is like the subject was found. The sign was on the ground, and there was sand and water on it, and the candy wrapper. (The candy user clearly did not follow instructions.)
I'm quite fond of this one.

Medium version (800x600):

Large version:

If you're curious, here is the original photo, with only a bit of contrast enhancement:

Giving less, sooner

Tim Ferris on early giving.
"Charity doesn’t work — empowerment does. The good news is that the latter depends on acting early and precisely, not lots of money."

A book project.

I'm reminded of the remarkable book The Soul Of Money.