The real villain in the ebooks case isn’t Apple or Amazon — it’s publishers’ addiction to DRM

The real villain in the ebooks case isn’t Apple or Amazon — it’s publishers’ addiction to DRM, article.
The publishers (all of whom settled with the government before the trial) have tried to argue in the past that they were forced to cut a deal with Apple because of Amazon’s monopoly — but when it gets right down to it, the real culprit is the DRM lock-in that the publishers themselves pushed for. In effect, they forged the chains that bound them to Amazon in the first place.
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Dustin Hoffman on TOOTSIE

A very interesting point.
Amazingly how emotionally intense this was for him.

I think most of us are guilty of this. Perhaps mostly men. But maybe women have the same thing, but only with a slightly broader set of characteristics which makes, or doesn't make, a man viable candidate for a mate.

BlackYeller

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Sony RX100, HDR on. 

Lennon & Maisy - Ho Hey

[Thanks to Bert]

"First floor"

I've always been pretty sure that, like in Denmark, "the first floor" in some English-speaking areas means the floor *above* the ground floor.
Wikipedia shoots me down, it says it's the ground floor.
But the dictionary justifies the wonderful confusion:

first floor
noun
1.
the ground floor of a building.
2.
the floor above the ground floor of a building.

Does somebody have any experience or rules as to where or when to use which?

Update:
Ken pointed to a wiki entry:
Floor numbering is the numbering scheme used for a building's floors. There are two major schemes in use across the world. In one system, used in the majority of Europe, the ground floor is the floor on the ground and often has no number or is assigned the number zero. Therefore the next floor up is assigned the number 1 and is the first floor. The other system, used primarily in the United States, counts the bottom floor as number 1 or first floor. The next floor up then becomes the second floor and so on.

Small wonder we get confused. Since there are no numbers in this apartment building, I think I'll continue to give directions with "one floor up", instead of "first floor".

New Nikon compact big-sensor camera (updated twice)

Nikon, as one of the last, has finally stepped into the bustling arena of battling compact cameras with big sensors, with Coolpix A. It has a large APS-C sensor, but no image-stabilization.

I would say the two most prominent features are:
1) A fixed, non-zoom lens, at 28mm equivalent, and F:2.8 (not so fast these days).
2) It's surprisingly compact, much smaller than the nearest competitors, I'd almost call it a true compact camera despite the large APS-C sensor. Lo:

So if you like all that, this may be just the thing for you.
For me, personally though, I think they made the same mistake as Leica did: go with too big a sensor, necessitating big compromises on the lens.

With the amazing sensors these days, the differences between an APS-C sensor and the next two sizes down are really not big (except maybe in dark conditions, and then much less than it used to be). And if you go to a slightly smaller sensor, you can do what Fuji and Sony have done (with the X10 and the RX100): make a very compact camera with high quality results, and still have a flexible and fast zoom lens, freeing up the usefulness of the camera enormously.

Size comparison from camerasize.com:

They are indeed almost the same size. The Nikon has a notch bigger sensor, but from the comparison shots on the article on top link, it doesn't seem to make a huge difference. The Olympus has in-body stabilization and exchangeable lenses.

Update:
It should be said, like Bru points out, that with most lenses, an exchangeable-lens camera become larger than a fixed-lens camera with a foldable lens.
Though in my view, as I've said, this needs to be a reasonable zoom (28-120mm) to be really useful. And for this to be compact, even folded, the sensor currently needs to be smaller than the one in either of these cameras.

A Few Notes on the Culture

Iain Banks wrote this cool article about some basic aspects on his semi-galactic civilization, The Culture. Like Banks himself, I'd love to live there. Like he said, the idea was to make a Utopia which was about as good as he could imagine it within realistic standards for a human society. And he also said it was the driving engine for the whole series of books, which I find really interesting and cool. Most writers, moi included, sadly find it much easier to be driven by darker ideas.
Of course this is countered by the fact that to get narrative tension, most of the stories take place on the edges, where the peaceful culture meet less placid alien cultures.

I would love if the Culture would be added to Kindle Worlds, where fan fiction authors can get their stories selected, and monies earned are split between the author and the owner of the original world. It's a great idea. (Though so far, sadly, limited to US citizens. Payments and taxes issues, for sure.)

Of course in the case of the Culture, this might be a bit redundant. It has no recurring characters, and the stories tend to take place widely spaced out in time and space, and within the Culture and the book series, it has such fantastic variety of... well, anything, that one might as well make it all up oneself, simply inspired by Banks.

“Why did you shoot me? I was reading a book”: The new warrior cop is out of control

“Why did you shoot me? I was reading a book”: The new warrior cop is out of control, article.
Sal Culosi is dead because he bet on a football game — but it wasn’t a bookie or a loan shark who killed him. His local government killed him, ostensibly to protect him from his gambling habit. [...] Another example is the use of these tactics on people suspected of downloading child pornography.

Because people suspected of such crimes are generally considered among the lowest of the low, there’s generally little objection to using maximum force to apprehend them. But when police use force to demonstrate disgust for the crimes the target is suspected of committing, there’s always a risk of letting disgust trump good judgment. In one recent case in West Virginia, police violently stormed a house after a Walmart employee reported seeing an image of a man’s genitals near a child’s cheek in a set of photos a customer had left at the store to be developed. After terrorizing the customer’s family (he was out of town), the police learned that the cheek in the photo wasn’t a child’s but that of a thirty-five-year-old Filipino woman.

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By the way, an odd thing: I am stopped from posting a link to this article on Twitter. Even when using URL-shortening, it does't work. I wonder if this is some kind of censorship-like filtering? 

Candace: extra-ordinary (Phineas and Ferb)

 "I want to be extr'ordinary, not just extra ordinary..."

 I love how HD has given cartoonists a bigger canvas.
And they have some good artists sometimes. The drawings below are all shots from a short sequence of one episode (Big Balls of Water) of Phineas And Ferb. Notice the difference in style between the first two pictures, for example, or in the third one that the foreground is darkened, giving much more depth to the picture.
And they are just good drawings, I am particularly fond of the first one. See, to the corporate masters it's "just a kids' show", nobody is going to fire them if they phone in the backgrounds. But they have too much fun making good stuff.

(all clickable)

Neil Gaiman eulogizes Iain Banks

I'm pleased that Neil Gaiman was a fan of Iain Banks, as evidenced by this Eulogy.

And then I wrote to Iain.  [...]
I think you're a brilliant and an honest writer, and much more importantly, because I've known lots of brilliant writers who were absolute arses, I think you're a really good bloke, and I've loved knowing you.
[...] 
If you've never read any of his books, read one of his books. Then read another. Even the bad ones were good, and the good ones were astonishing.

For me, to be frank, there are several of his most mainstream books which I don't think I'll ever get through. But his more quirky stuff and especially his space opera, was in a class of itself. For example, the term "space opera" doesn't cover his SF by a long shot. Surface Detail took place partly in artificial, computer-generated virtual realities, which got as weird as anything I've read. One of them was a highly controversial Hell Reality, which was just like a very imaginative mind could imagine Hell to be. Many wanted it deleted, but the conservative/religious forces on the planets involved kept it going. For moral and social purposes, you understand, not because of basic sadism... Two of the main character voluntarily goes in there to report of the horrors. But as you may imagine, that world is not exactly designed to be easy to get out of...

There are enough great ideas in Surface Detail alone that many authors would have gotten 8-10 books out of it. But Banks' problem didn't seem to be getting enough ideas, more how to get them down fast enough. 

Sensor size graphic

For future reference if nothing else.

This graphic is larger than life. (Micro Four Thirds is 13.5x18mm, and Full Frame is like the old negative size 24x36mm.)
Which shows how much sharper sensors can be made than film normally was. (Many phone cameras have even smaller sensors than the smallest here.) The smallest successful film format was the Instamatic 110 casettes (the small, flat cameras). The negative was 13x17 mm, which made for very poor image quality if you tried to go above the 4x5-inch standard prints. Attempts at even smaller formats (Kodak Disc!) were too horrible even for casual snapshooters, and failed. And yet the "1/2.3" size (I swear they use these terms just to hide facts) is only 5x6mm and can give great results! (If the light and lens is good.)

Here's a 2013 article about what sensor size matter. 

How to Photograph Fireworks Displays

How to Photograph Fireworks Displays, article. 

Keys points:

• Tripod. 
• Wide lens mostly.  
• Lowest ISO setting. 
• Small aperture (11 or 16). 
• Manual mode and manual focus. 
• Long exposures, perhaps bulb. But not too long, they are easier to over-expose than you think. 

Photo by Vlad