Thanks to tOP, here's a video interview with Joel Meyerowitz. It turns out (around 17.30) that he was the guy I remembered seeing Cartier-Bresson and recognizing it must be C-B without know how he looked, just from how he moved.
What I'm sorta wondering is, why would C-B be jumping around and pirouetting like a ballet dancer when he photographed? Except for the rare occasion when you'd quickly need to get in place for a "decisive moment", I don't see how it helps him.
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