I didn't know there were wild parakeets around Coit tower, otherwise that was a totally believable scenario.
Love the classic SF shots re-done with the Death Star, eg moon rise over Marin, behind the GG Bridge, and the low moon at behind the Trans America pyramid.
The mind blowing part is how mobile the camera is and yet the dubbed in SW components are rock solid on at their relative location.
I wonder if the tie fighter emerging from under the bridge is footage of a blue angel dubbed over. I didn't think they did close fly-bys of the bridge.
If he's going to that FX school in the city, then I'm signing up.
I didn't know there were wild parakeets around Coit tower, otherwise that was a totally believable scenario.
ReplyDeleteLove the classic SF shots re-done with the Death Star, eg moon rise over Marin, behind the GG Bridge, and the low moon at behind the Trans America pyramid.
The mind blowing part is how mobile the camera is and yet the dubbed in SW components are rock solid on at their relative location.
I wonder if the tie fighter emerging from under the bridge is footage of a blue angel dubbed over. I didn't think they did close fly-bys of the bridge.
If he's going to that FX school in the city, then I'm signing up.
"The mind blowing part is how mobile the camera is and yet the dubbed in SW components are rock solid on at their relative location."
ReplyDeleteYes, that struck me too.
There must be some mechanical way of fixing it.